Steven Pressfield’s MUST read book
Steven Pressfield has written a book, the War of Art, that every writer should read, from the hardened veterans to the rookie wannabes. In a word, he says it all, “work” … well, actually he uses several words. It’s hard work – really hard – and if you want to be what he calls a “professional,” it is incessant work. And for those of us who have been chained to our keyboards (and before that typewriters) for a few years, Steven’s message is the cornerstone of a writing career. Buy it, read it and then get to work!
“People are the worst”
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Everyone lies a few pounds about their weight …April 16th, 2025
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Is this the perfect storm for Good Ship America?April 14th, 2025
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“Elbows up” ain’t gonna cut it …April 9th, 2025
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“The most important book is the one you haven’t read yet.”
Coming 2026
My personal history is the stuff they write books about. And that's what I am doing. The working title, "Chains of My Father: Marry White."
"The ghostly image of the tragic mulatto trapped between two worlds." - Barack Obama
This perspicacious line from the Prologue of Barack Obama's "Dream from My Father" wrenched my aspiration into action. I started writing, furiously. Unlike Obama's perspective, my pain had been for the opposite reason: I was not seen by whites as a "tragic mulatto," rather I lived every day of my childhood hoping whites were not "searching my eyes for some telltale sign" that I WAS mulatto. This is my story.
It's historical fiction because I cannot find enough records to substantiate all facets of the story. I've combed the genealogy, traveled to my father and grandmothers' birthplace, walked the graveyards, searched the churches and ... well, all the facts aren't there. I have written three books based on the genealogy of other families but my ancestors emerged from a journey that left too few records – slavery.
My paternal, great grandmother was a "freed slave." My grandmother, Amelia, was born to a mixed race slave named Mary (we do not know her last name) and a white, French plantation owner, the Count de Poullain, in Grenada, West Indies. Amelia was raised in the "Big House" and in adulthood, in an attempt to escape her black heritage disowned her mother, telling her, "Get out and never come back." Amelia, as a mother of twelve children, enshrined into the family commandments, "Marry white." Many did, including my father. My mother was a lovely, white, Anglo-Saxon protestant born in England. They met in Canada where my dad studied and became a doctor.
It has taken five generations for the descendants of Mary to free themselves from the stigma of their black heritage but today my children embrace it. Unfortunately, the past 250 years have been a wasteland of bigotry, racism and bullying. But, on closer look, we see not only the brutality, fear, violence, and murder but also the self-respect, dignity, love, kindness, perseverance and indomitable spirit.
As of the spring of 2025, the depth of historic perspective and the sweeping inspiration of oppressed people has created a two-volume duology of which I have only arrived at the middle of the 19th century. 1840 is the year my great grandfather was born, the beginning of Volume II, and he's pushing me to make sure our story is published by the summer of 2026.







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